Vendor: Reverend Gary Davis & Jimmy Reed
Type: Bundle
Price:
26.00
Harlem Street Description:
Harlem Street Singer is Reverend Gary Davis’ 1960 album, originally released on Prestige Records’ Bluesville imprint. The album features a combination of Davis-penned tracks, including “Death Don’t Have No Mercy,” and standards such as “Samson and Delilah.” All Music declared that the album is “essential listening for fans of country blues or gospel.” This reissue has been remastered from the original tapes.
I'm Jimmy Reed Description:
A compilation of singles released from 1953 and 1958, I’m Jimmy Reed is Jimmy Reed’s debut full length album. Initially released in 1958 on Vee-Jay Records, this album features “Ain’t That Lovin’ You Baby,” which hit #8 on the Billboard R&B chart. This reissue was remastered from the original tapes. Record Collector Magazine hails the album as “Arguably the first great blues album” and “testament to the thrilling talent of one of the form’s most influential figures.
Vendor: Reverend Gary Davis & Jimmy Reed
Type: Bundle
Price:
52.00
Harlem Street Description:
Harlem Street Singer is Reverend Gary Davis’ 1960 album, originally released on Prestige Records’ Bluesville imprint. The album features a combination of Davis-penned tracks, including “Death Don’t Have No Mercy,” and standards such as “Samson and Delilah.” All Music declared that the album is “essential listening for fans of country blues or gospel.” This reissue is pressed on 180-gram vinyl at QRP with a replica tip-on jacket.
I'm Jimmy Reed Description:
A compilation of singles released from 1953 and 1958, I’m Jimmy Reed is Jimmy Reed’s debut full length LP. Initially released in 1958 on Vee-Jay Records, this album features “Ain’t That Lovin’ You Baby,” which hit #8 on the Billboard R&B chart. This reissue is pressed on 180-gram vinyl and housed in a replica tip-on jacket. Record Collector Magazine hails the album as “Arguably the first great blues album” and “testament to the thrilling talent of one of the form’s most influential figures.
• 180-gram vinyl pressed at QRP
• Paper-wrapped jacket
• Released as part of the Bluesville Records and Acoustic Sounds reissue series
• (AAA) lacquers cut from the original master tapes by Matthew Lutthans at The Mastering Lab
• Obi with notes written by Scott Billington
Harlem Street Singer Track List:
Side A:
Samson And Delilah
Let Us Get Together Right Down Here
I Belong To The Band
Pure Religion
Great Chance Since I Been Born
Death Don’t Have No Mercy
Side B:
Twelve Gates To The City
Goin’ To Sit Down On The Banks Of The River
Tryin’ To Get Home
Lo, I Be With You Always
I Am The Light Of This World
Lord, I Feel Just Like Goin’ On
I'm Jimmy Reed Track List:
Side A:
Honest I Do
Go On To School
My First Plea
Boogie In The Dark
You Got Me Crying
Ain’t That Lovin’ You Baby
Side B:
You Got Me Dizzy
Little Rain
Can’t Stand To See You Go
Roll & Rhumba
You’re Something Else
You Don’t Have To Go
Vendor: Jimmy Reed
Type: Digital Album
Price:
10.00
A compilation of singles released from 1953 and 1958, I’m Jimmy Reed is Jimmy Reed’s debut full length album. Initially released in 1958 on Vee-Jay Records, this album features “Ain’t That Lovin’ You Baby,” which hit #8 on the Billboard R&B chart. This reissue was remastered from the original tapes. Record Collector Magazine hails the album as “Arguably the first great blues album” and “testament to the thrilling talent of one of the form’s most influential figures.
Vendor: Jimmy Reed
Type: CD
Price:
15.00
A compilation of singles released from 1953 and 1958, I’m Jimmy Reed is Jimmy Reed’s debut full length album. Initially released in 1958 on Vee-Jay Records, this album features “Ain’t That Lovin’ You Baby,” which hit #8 on the Billboard R&B chart. This reissue was remastered from the original tapes. Record Collector Magazine hails the album as “Arguably the first great blues album” and “testament to the thrilling talent of one of the form’s most influential figures.
Vendor: Jimmy Reed
Type: Vinyl
Price:
30.00
A compilation of singles released from 1953 and 1958, I’m Jimmy Reed is Jimmy Reed’s debut full length LP. Initially released in 1958 on Vee-Jay Records, this album features “Ain’t That Lovin’ You Baby,” which hit #8 on the Billboard R&B chart. This reissue is pressed on 180-gram vinyl and housed in a replica tip-on jacket. Record Collector Magazine hails the album as “Arguably the first great blues album” and “testament to the thrilling talent of one of the form’s most influential figures.
Vendor: Reverend Gary Davis
Type: Digital Album
Price:
10.00
Harlem Street Singer is Reverend Gary Davis’ 1960 album, originally released on Prestige Records’ Bluesville imprint. The album features a combination of Davis-penned tracks, including “Death Don’t Have No Mercy,” and standards such as “Samson and Delilah.” All Music declared that the album is “essential listening for fans of country blues or gospel.” This reissue has been remastered from the original tapes.
Vendor: Reverend Gary Davis
Type: CD
Price:
15.00
Harlem Street Singer is Reverend Gary Davis’ 1960 album, originally released on Prestige Records’ Bluesville imprint. The album features a combination of Davis-penned tracks, including “Death Don’t Have No Mercy,” and standards such as “Samson and Delilah.” All Music declared that the album is “essential listening for fans of country blues or gospel.” This reissue has been remastered from the original tapes.
Vendor: Reverend Gary Davis
Type: Vinyl
Price:
30.00
Harlem Street Singer is Reverend Gary Davis’ 1960 album, originally released on Prestige Records’ Bluesville imprint. The album features a combination of Davis-penned tracks, including “Death Don’t Have No Mercy,” and standards such as “Samson and Delilah.” All Music declared that the album is “essential listening for fans of country blues or gospel.” This reissue is pressed on 180-gram vinyl at QRP with a replica tip-on jacket.
Vendor: Albert King, Lightnin' Hopkins & Sonny Terry
Type: Bundle
Price:
27.00
Live Wire Description:
Live Wire/Blues Power is a live album from Albert King recorded in 1968 at the Fillmore Auditorium in San Francisco, CA. Featuring originals and King’s rendition of classics, the album demonstrates Albert King’s blues prowess. According to Rolling Stone, this album is “Just the unadulterated pure and simple blues.
Last Night Description:
Last Night Blues is Lightnin’ Hopkins’ 1961 album, featuring Sonny Terry. The second of three album collaborations, Last Night Blues showcases Hopkins’ and Terry’s different yet complementary styles to create a well-rounded listening experience. AllMusic declared, “this dynamite disc represents what the blues should be: stripped-down, soulful, and full of truth.” This edition has been remastered from the original tapes.
Vendor: Albert King, Lightnin' Hopkins & Sonny Terry
Type: Bundle
Price:
53.00
Live Wire Description:
Live Wire/Blues Power is a live album from Albert King recorded in 1968 at the Fillmore Auditorium in San Francisco, CA. Featuring originals and King’s rendition of classics, the album demonstrates Albert King’s blues prowess. Pressed on 180-gram vinyl at QRP, this album is released in partnership with Acoustic Sounds, and features a paper-wrapped tip-on jacket. According to Rolling Stone, this album is “Just the unadulterated pure and simple blues.
Last Night Description:
Last Night Blues is Lightnin’ Hopkins’ 1961 album, featuring Sonny Terry. The second of three album collaborations, Last Night Blues showcases Hopkins’ and Terry’s different yet complementary styles to create a well-rounded listening experience. AllMusic declared, “this dynamite disc represents what the blues should be: stripped-down, soulful, and full of truth.” Pressed on 180-gram vinyl at QRP, this edition is released in partnership with Acoustic Sounds.
Vendor: Lightnin' Hopkins & Sonny Terry
Type: Vinyl
Price:
30.00
Last Night Blues is Lightnin’ Hopkins’ 1961 album, featuring Sonny Terry. The second of three album collaborations, Last Night Blues showcases Hopkins’ and Terry’s different yet complementary styles to create a well-rounded listening experience. AllMusic declared, “this dynamite disc represents what the blues should be: stripped-down, soulful, and full of truth.” Pressed on 180-gram vinyl at QRP, this edition is released in partnership with Acoustic Sounds.
Vendor: Lightnin' Hopkins & Sonny Terry
Type: CD
Price:
15.00
Last Night Blues is Lightnin’ Hopkins’ 1961 album, featuring Sonny Terry. The second of three album collaborations, Last Night Blues showcases Hopkins’ and Terry’s different yet complementary styles to create a well-rounded listening experience. AllMusic declared, “this dynamite disc represents what the blues should be: stripped-down, soulful, and full of truth.” This edition has been remastered from the original tapes.
Vendor: Lightnin' Hopkins & Sonny Terry
Type: Digital Album
Price:
18.00
Deliverable via email in your choice of MP3, WAV, ALAC, or FLAC.
Last Night Blues is Lightnin’ Hopkins’ 1961 album, featuring Sonny Terry. The second of three album collaborations, Last Night Blues showcases Hopkins’ and Terry’s different yet complementary styles to create a well-rounded listening experience. AllMusic declared, “this dynamite disc represents what the blues should be: stripped-down, soulful, and full of truth.” This edition has been remastered from the original tapes.
Vendor: Albert King
Type: Vinyl
Price:
30.00
Live Wire/Blues Power is a live album from Albert King recorded in 1968 at the Fillmore Auditorium in San Francisco, CA. Featuring originals and King’s rendition of classics, the album demonstrates Albert King’s blues prowess. Pressed on 180-gram vinyl at QRP, this album is released in partnership with Acoustic Sounds, and features a paper-wrapped tip-on jacket. According to Rolling Stone, this album is “Just the unadulterated pure and simple blues.
Vendor: Albert King
Type: Digital Album
Price:
18.00
Deliverable via email in your choice of MP3, WAV, ALAC, or FLAC.
Live Wire/Blues Power is a live album from Albert King recorded in 1968 at the Fillmore Auditorium in San Francisco, CA. Featuring originals and King’s rendition of classics, the album demonstrates Albert King’s blues prowess. According to Rolling Stone, this album is “Just the unadulterated pure and simple blues.
Vendor: Albert King
Type: CD
Price:
15.00
Live Wire/Blues Power is a live album from Albert King recorded in 1968 at the Fillmore Auditorium in San Francisco, CA. Featuring originals and King’s rendition of classics, the album demonstrates Albert King’s blues prowess. According to Rolling Stone, this album is “Just the unadulterated pure and simple blues.
Vendor: John Lee Hooker & Skip James
Type: Bundle
Price:
27.00
Burning Hell description:
Burning Hell was recorded in 1959 in Detroit, MI, but wasn’t released until 1964. Even then, it was only available in the UK. The album features Hooker solo as he plays originals and classics. AllMusic states that, on this album, “Hooker shows himself to be an excellent interpreter who could have held his own with Delta bluesmen of any era.”
Today! description:
Today! is Skip James’ second album, originally released in 1966. The album features James solo on all but one track, “How Long,” which includes Russ Savakus on bass.AllMusic asserts, “wonderful vocals, superb guitar and a couple of tunes with tasty piano make this essential.”
Vendor: Skip James
Type: CD
Price:
15.00
Today! is Skip James’ second album, originally released in 1966. The album features James solo on all but one track, “How Long,” which includes Russ Savakus on bass. (AAA) lacquers cut from the original master tapes by Matthew Lutthans at The Mastering Lab. AllMusic asserts, “wonderful vocals, superb guitar and a couple of tunes with tasty piano make this essential.”
Vendor: John Lee Hooker
Type: CD
Price:
15.00
Burning Hell was recorded in 1959 in Detroit, MI, but wasn’t released until 1964. Even then, it was only available in the UK. Pressed at QRP as part of the Bluesville Records / Acoustic Sounds series, the album features Hooker solo as he plays originals and classics. AllMusic states that, on this album, “Hooker shows himself to be an excellent interpreter who could have held his own with Delta bluesmen of any era.”
Vendor: Skip James
Type: Digital Album
Price:
18.00
Deliverable via email in your choice of MP3, WAV, ALAC, or FLAC June 7, 2024.
Today! is Skip James’ second album, originally released in 1966. The album features James solo on all but one track, “How Long,” which includes Russ Savakus on bass. This 180-gram LP pressed at QRP includes an obi with notes by Scott Billington, a paper-wrapped jacket and (AAA) lacquers cut from the original master tapes by Matthew Lutthans at The Mastering Lab. AllMusic asserts, “wonderful vocals, superb guitar and a couple of tunes with tasty piano make this essential.”
Vendor: Skip James
Type: Vinyl
Price:
30.00
Vendor: John Lee Hooker & Skip James
Type: Bundle
Price:
52.00
Vendor: John Lee Hooker
Type: Digital Album
Price:
18.00
Deliverable via email in your choice of MP3, WAV, ALAC, or FLAC on June 7, 2024.
Burning Hell was recorded in 1959 in Detroit, MI, but wasn’t released until 1964. Even then, it was only available in the UK. The album features Hooker solo as he plays originals and classics. AllMusic states that, on this album, “Hooker shows himself to be an excellent interpreter who could have held his own with Delta bluesmen of any era.” It is now available for the first time in hi-res audio.
Vendor: John Lee Hooker
Type: Vinyl
Price:
30.00