Vendor: John Lee Hooker
Type: CD
Price:
11.99
John Lee Hooker was already being hailed as a living legend in the '60s, but by the time of this 1986 release he was a larger-than-life figure, his iconic stature unquestioned. From his earliest collaborations with Canned Heat and on through the '70s and '80s, the rock world never got tired of trying to endear Hooker to a crossover audience.
Jealous is an attempt to adapt Hooker's lonesome blues to full-band arrangements. Unlike his band recordings of the '50s, though, there's a decided rock edge to his accompaniment here, providing a sharp contrast to the down-home, earthy sound of Hooker's voice and guitar. Organ, electric guitar, and a forceful rhythm section baked in reverb back Hooker on Jealous. Instead of overpowering Hooker, though, these new arrangements place the bluesman on a sonic pedestal, from which he sounds like the voice of God dispensing wisdom through the blues.
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Vendor: John Lee Hooker
Type: CD
Price:
11.99
Since he won a Grammy Award for 1989's The Healer, John Lee Hooker, now 79 years old, has been an unusually hot property. He has played with the likes of Rolling Stones, Branford Marsalis and B.B. King. Don't Look Back finds the party continuing, with old friend/disciple Van Morrison, who guested on 1995's Chill Out, now in the producer's seat.
Apart from a raucous reading of the old Hooker standard "Dimples," which features backing from Los Lobos, Don't Look Back leans towards varying shades of slow blues. Emotion is stressed over barn-burning instrumental heroics, particularly on the songs that ride along on Charles Brown's melancholic piano playing. Producer Morrison's duets with his idol on "Travellin' Blues" and Morrison's "The Healing Game" bring out the best in both legends.
Vendor: John Lee Hooker
Type: CD
Price:
11.99
One of a series of superb John Lee Hooker albums recorded in the '90s, Chill Out clearly shows that he remains at the top of his game. The opening (and title) track features guitar god and long time Hooker fan Carlos Santana (with his band). Although quite slick sounding, Santana's Latin funk grooves and typically blistering solo fit surprisingly well with John Lee's gutbucket vocals--a testament to the aging blues man's incredible versatility. Roy Rogers (the blues guy, not the cowboy fast food mogul) reveals himself as an adept and sensitive producer and also adds some very tasty slide guitar on four tunes. Whether with a full band or all alone, John Lee Hooker's talent burns brightly throughout the album.
Vendor: Wes Montgomery
Type: Vinyl
Price:
76.00
Vendor: Thelonious Monk
Type: Vinyl
Price:
25.99
Standard weight OJC pressing of Thelonious Monk's Brilliant Corners
Thelonious Monk was considered one of the “most challenging, provocative and disturbing figures in modern music.” His music was regarded as difficult to listen to and understand, causing many fans initially to shy away from trying to “dig Monk.” This album helped remedy that problem. Recorded in December of 1956 for Riverside with a quartet featuring primarily Max Roach (percussion), Sonny Rollins (tenor sax), Oscar Pettiford (bass), Ernie Henry (alto sax), Clark Terry (trumpet), Brilliant Corners, an album of mostly self-penned numbers, is one of his greatest recordings. While still not casual listening, its pure brilliance and vitality can reach just about any listener.
Vendor: Thelonious Monk
Type: Vinyl
Price:
21.99
Among the other aspects of his genius, Thelonious Monk was a brilliant solo pianist, as he proved on two classic unaccompanied recitals for Riverside. This sequel to the acclaimed Thelonious Himself was recorded in 1959 and found Monk in a relaxed mood that led to some of his most thoughtful and moving playing. The program maintains a winning balance among Monk's classic ballad creations, his blunt blues lines (with debut performances of "Bluehawk" and "Round Lights"), and a selection of pop tunes from his youth including the obscure "There's Danger in Your Eyes, Cherie."
Vendor: Bill Evans
Type: Vinyl
Price:
25.98
The legend of Bill Evans really begins with this album, his second. The pianist had just spent most of 1958 as part of one of the major units in jazz history: the Miles Davis Sextet that also featured John Coltrane and Cannonball Adderley. His fellow musicians already knew his worth (the album title was almost literally accurate, and the four endorsements on the cover, which embarrassed Bill, could easily have been greatly multiplied); with this record, the jazz public began to follow their lead. Aided by Sam Jones and Philly Joe Jones, Evans set down some of his most swinging trio sides, but the session would be memorable if it had only yielded the remarkable and haunting solo improvisation called "Peace Piece."
Vendor: Chet Baker
Type: Vinyl
Price:
29.99
Chet is an album by jazz trumpeter Chet Baker first released in 1959. The record is sometimes subtitled The Lyrical Trumpet of Chet Baker. Chet features performances by Baker with flautist Herbie Mann, saxophonist Pepper Adams, pianist Bill Evans, guitarist Kenny Burrell, bassist Paul Chambers, and either Connie Kay or Philly Joe Jones on drums. It was recorded in December 1958 and January 1959 and released on the Riverside Recordings label.
Though Baker was by the late 1950s known as much for his singing as his trumpet playing, this album is entirely instrumental. It contains 9 standard ballads played in the styles of Hard Bop to Cool Jazz. The album is entirely devoted to explorations of the ballad mood, it includes considerable variety.
Vendor: Bill Evans
Type: Vinyl
Price:
25.99
Standard weight OJC pressing
One of the two most important associations in the early development of the incredible talent of Bill Evans was undoubtedly his nine-month 1958 stay with the Miles Davis Sextet that also included John Coltrane and Cannonball Adderley. The other was the year-and-a-half span in which Scott LaFaro was the bassist in Bill's newly-formed trio and they developed their remarkable creative rapport, working towards what Evans termed "simultaneous improvisation." Portrait in Jazz was the first of four albums by the Evans/LaFaro/Motian team; in it can clearly be heard the exciting sound of new ideas being born. With Scott LaFaro and Paul Motian.
Side A
Side B
• Portrait in Jazz was the first of four albums by the Evans/LaFaro/Motian team; in it can clearly be heard the exciting sound of new ideas being born
Vendor: Abbey Lincoln
Type: Vinyl
Price:
29.98
Abbey Is Blue is the fourth album by American jazz vocalist Abbey Lincoln, featuring tracks recorded in 1959 for Riverside Records. A breakout performance for the jazz legend - this album displays Lincoln perfectly poised between jazz for show and jazz with a purpose.
The album features an all-star lineup that includes Kenny Dorham, Stanley Turrentine, Wynton Kelly, Sam Jones, Philly Joe Jones and Max Roach.
Vendor: John Lee Hooker & Skip James
Type: Bundle
Price:
52.00
Vendor: John Lee Hooker
Type: Digital Album
Price:
18.00
Deliverable via email in your choice of MP3, WAV, ALAC, or FLAC on June 7, 2024.
Burning Hell was recorded in 1959 in Detroit, MI, but wasn’t released until 1964. Even then, it was only available in the UK. The album features Hooker solo as he plays originals and classics. AllMusic states that, on this album, “Hooker shows himself to be an excellent interpreter who could have held his own with Delta bluesmen of any era.” It is now available for the first time in hi-res audio.
Vendor: Riverside Records
Type: Apparel
Price:
24.00
A Dark Grey unisex t-shirt featuring the Riverside Records logo
Vendor: Wes Montgomery
Type: CD
Price:
20.00
Vendor: John Lee Hooker
Type: Vinyl
Price:
29.98
John Lee Hooker’s debut on Riverside Records is perhaps the truest to his Mississippi roots. Unaccompanied and playing acoustically instead of his usual amplified guitar, he turned in a wonderfully varied set of deep Delta blues, moans, boogies, one field holler, and even a bit of hokum. Some songs are autobiographical, others reworkings of blues standards–all stamped with the hauntingly personal Hooker touch.
The audio for this 60th anniversary release is sourced from the original stereo tapes that were mastered on all analog by Kevin Gray at Cohearent Audio. It’s pressed on 180-gram vinyl at Memphis Record Pressing.
Side A
Side B
• All Analog mastering from the original stereo tapes by Kevin Grey at Cohearent Audio
• Pressed on 180-gram vinyl
• 60th Anniversary Edition
Vendor: Chet Baker
Type: Vinyl
Price:
29.99
Chet Baker's West Coast cool comes to the Big Apple on Chet Baker in New York. The project would be Baker's first -- in a four album deal -- with the Big Apple-based Riverside Records. The bicoastal artist incorporates his decidedly undernourished sound and laid-back phrasing into the styling of Al Haig (piano), Johnny Griffin (tenor sax), Paul Chambers (bass), and Philly Joe Jones (drums). The results are uniformly brilliant as Baker's cool-toned solos fly and bop with authority around the equally impressive supporting soloists. Conversely, the same cohesive unity continues on the introspective numbers that are more akin to Baker's California cool.
Undoubtedly one of the charms of this collection is the distinct choice of material. Running the gamut from the relaxed and soothing "Polka Dots and Moonbeams" and equally serene "Blue Thoughts" at one end of the spectrum to the percolating and driving intensity of "Hotel 49" on the other.
Vendor: Chet Baker
Type: Vinyl
Price:
29.99
Chet Baker’s 1958 recording session debut for Riverside Records, which resulted in the album release (Chet Baker Sings) It Could Happen To You, offers a modern, hipper take on standards like “Old Devil Moon,” “You’re Driving Me Crazy,” and “How Long Has This Been Going On?” Chet Baker Sings is unique in that the nimble artist sets aside his trumpet in several of the tracks, using only his vocals—and even scatting some of the improvised solos in a style that sounds very much like his lyrical trumpet playing. AllMusic calls the album “An essential title in Chet Baker's 30-plus year canon.”
Vendor: Bill Evans
Type: Digital Album
Price:
9.99
Deliverable via email in your choice of MP3, WAV or FLAC.
The legend of Bill Evans really begins with this album, his second. The pianist had just spent most of 1958 as part of one of the major units in jazz history: the Miles Davis Sextet that also featured John Coltrane and Cannonball Adderley. His fellow musicians already knew his worth (the album title was almost literally accurate, and the four endorsements on the cover, which embarrassed Bill, could easily have been greatly multiplied); with this record, the jazz public began to follow their lead. Aided by Sam Jones and Philly Joe Jones, Evans set down some of his most swinging trio sides, but the session would be memorable if it had only yielded the remarkable and haunting solo improvisation called "Peace Piece."
Vendor: Bill Evans
Type: Digital Album
Price:
9.99
Deliverable via email in your choice of MP3, WAV or FLAC
One of the two most important associations in the early development of the incredible talent of Bill Evans was undoubtedly his nine-month 1958 stay with the Miles Davis Sextet that also included John Coltrane and Cannonball Adderley. The other was the year-and-a-half span in which Scott LaFaro was the bassist in Bill's newly-formed trio and they developed their remarkable creative rapport, working towards what Evans termed "simultaneous improvisation." Portrait in Jazz was the first of four albums by the Evans/LaFaro/Motian team; in it can clearly be heard the exciting sound of new ideas being born. With Scott LaFaro and Paul Motian.
• Portrait in Jazz was the first of four albums by the Evans/LaFaro/Motian team; in it can clearly be heard the exciting sound of new ideas being born
Vendor: Bill Evans
Type: Digital Album
Price:
9.99
Deliverable via email in your choice of MP3, WAV or FLAC.
The second album by the original Bill Evans group - released in 1961 - was recorded after the pianist, bassist Scott LaFaro, and drummer Paul Motian had spent a year working together and honing the telepathy that established a new standard for trio interaction. Featuring intimate readings of several standards plus three compositions from the jazz world that became synonymous with the trio's sounds, the album was cited by Evans years later as among his own favorite recordings.
1. Israel
2. Haunted Heart
3. Beautiful Love [Take 2]
4. Elsa
5. Nardis
6. How Deep Is the Ocean?
7. I Wish I Knew
8. Sweet and Lovely
• Featuring intimate readings of several standards plus three compositions from the jazz world that became synonymous with the trio's sounds
Vendor: Bill Evans
Type: Digital Album
Price:
9.99
Deliverable via email in your choice of MP3, WAV or FLAC.
Almost every one of the eleven albums featuring Bill Evans that were issued during his pivotal early years (1956-1964) with Riverside were trio performances. Of the two exceptions, one was strictly speaking not an Evans record (Know What I Mean?, a quartet album that featured Bill but was under the leadership of Cannonball Adderley). The other is Interplay. Adding trumpet and guitar to create an unusual quintet alignment, concentrating on standard tunes, and with brighter tempos than are generally associated with his playing, it is a uniquely valuable addition to the catalog of perhaps the most important pianist in modern jazz.
Vendor: Chet Baker
Type: Digital Album
Price:
35.99
Deliverable via email in your choice of MP3, WAV or FLAC
Few musicians have embodied the romantic, and ultimately tragic, jazz figure as totally as Chesney “Chet” Baker (1929-88). Unschooled yet eloquent in his music, the Baker mystique has only reinforced one of the most haunting trumpet styles and ingenuous approaches to jazz singing. The Legendary Riverside Albums is a collection that features four legendary Chet albums released in the late ‘50s on Riverside Records, plus a bonus LP with choice outtakes and alternates from Baker’s Riverside sessions. Features jazz legends Bill Evans, Kenny Burrell, Johnny Griffin, Paul Chambers, Philly Joe Jones & others.